#that was before the stuarts too

[unanchored-ship]

GUYS I LIED I FOUND AN EVEN OLDER NOTEBOOK WITH OLDER ART 👹👹

[pebblesun]

someone get that old man some water 🥵

[mirai-desu]

Eliza and William Moments » Series 4, Episode 4

“Where are going, you’re not well enough to go home yet!” “I’m not going home. I’ve been to see the super, and he’s agreed. I’m going to New York. I’m taking the secondment.” “For a year?” “For a year.” “This is because I was late for dinner?” “No. This is because I love you. ... It's a rare occurrence that I cause you to be so speechless. Perhaps I should tell you that I love you more often.” “Well-you-you love me, and yet you are leaving?” “Something has to change, Eliza. Perhaps for you. Perhaps for me. But this will, uh, give us time to consider our options.” “I don’t understand.” “Yes, you do. If we are to be together... then I cannot remain at Scotland Yard with you a private detective, ...nor can I be around you anymore without... without being with you. ...You have put me in an impossible situation.” “So, this is my fault.” “Yes.” “... This isn’t goodbye. It’s goodbye for now.”

[fishyupmywishy]

Crazy how I read the first book when I was like 6 or 7 and now I’m older or the same age as most of the characters

[aeide-thea]

like, okay, to walk my own talk and do a little fact-checking—here’s a review of hari’s book stolen focus by uk psychologist and academic stuart ritchie, with whom i strongly suspect i've got some political bones to pick, published on unherd, a platform with which i know i’ve got some political bones to pick (tl;dr transphobia ahoy!), but ritchie’s approach and analysis here seem pretty reasonable:

[T]he phenomenon Hari addresses — the feeling that, with so many distractions around in the modern, online-centric world, it’s harder than ever to focus — is one many of us experience. Hari says that he and almost everyone around him feels this way, and describes a several-months-long “digital detox”, where he went to live in a small town on Cape Cod with no smartphone and no internet.

But that’s all anecdotal: does Hari actually present any evidence that shortening attention spans is a society-wide problem? […] It’s not until more than halfway through the book, page 176, that Hari drops what should be a bombshell: “We don’t have any long-term studies tracking changes in people’s ability to focus over time.” In other words, he quietly admits that there isn’t really any strong scientific evidence for the main thesis of the book.

more specifics are under the cut, for anyone who doesn’t feel like giving unherd more traffic (i’m right there with you!), but i do want to highlight the conclusion of the article, which is cutting but seems essentially correct to me:

[T]his is a writer who’s shown himself again and again to be either untrustworthy, unoriginal, or uninformed. If he’s right to say that our moments of focus are becoming ever-more precious, isn’t it time we started paying attention to someone — anyone — else?

and the further pullquotes i promised above:

Most of the book is dedicated to the causes of our collective attentional problems. The first is, unoriginally, social media. Isn’t it very revealing, Hari writes, that there’s no button on Facebook that you can press to help you meet up with your friends in person? Facebook won’t, he says, “alert you to the physical proximity of somebody you might want to see in the real world”. Hari explains that the whole business model of social media precludes the encouragement of joys like looking your friends in the eye or giving them a hug, and instead is based on keeping you fixated on your screen, scrolling endlessly, never leaving the house.

Except Facebook does have exactly the feature that Hari claims doesn’t (and couldn’t) exist. It’s called “Nearby Friends”. It gives you a little map of where your friends are physically at that moment (if they have opted in). It’s been available since 2014. A two-second Google search would have enlightened Hari. Maybe he wrote that part of the book while he was in internet-free isolation.

[…]

[M]any of the other causes Hari identifies are rehashings of previous pop-science and pop-psychology books: we aren’t sleeping enough (Why We Sleep); kids don’t play outdoors any more (Free Range Kids and The Coddling of the American Mind); we don’t eat the right foods (a million diet books). Of course, it’s not a crime to write a book that doesn’t provide any new information. But Hari’s irritating, breathless style turns every single fact he “discovers” into a startling revelation, every single expert he speaks to into the absolute best in the world. Hari’s research — a series of interviews for a pop-psychology book — becomes an intense, globetrotting journey of personal discovery. His mind is so often blown that it’s little wonder it has such difficulty in paying attention.

It’s not just that Hari thinks he’s discovered earth-shaking new information. (As Dean Burnett wrote of Lost Connections, Hari “repeatedly presents well-known concepts and ideas … as fringe concepts that he’s discovered through his own efforts��.) He also thinks he’s a hard-nosed scientific truth-seeker. At the start of the book, he solemnly assures us that: “I studied social and political sciences at Cambridge University, where I got a rigorous training in how to read the studies these scientists publish [and] how to assess the evidence they put forward”.

What makes this risible isn’t just that he’s touting his undergraduate degree as if it makes him an expert (a fairly substantial proportion of the population also have one). It’s that Stolen Focus exhibits no talent for assessing evidence. A few times there’s a small concession to a flaw in a study, or to the fact that scientists disagree on a point — but Hari fails to add any of the necessary uncertainty to his argument. After a cursory mention of the “other side,” he usually just blunders on regardless, assuming his argument is right.

ALT

Your attention didn’t collapse. It was stolen by Johann Hari

[not-neverland06]

hi!! Given my obsession for Hugh jackman I am CRAVING for some Leopold X reader (from Kate & Leopold)! Maybe with some little angst but happy ending??

I love your blog!! Have a wonderful day 😽💐💓

Leopold Mountbatten x fem!reader a/n: I don’t know how controversial this is going to be and I don’t care. I could never finish the movie because I hated Meg Ryan in it so much. It’s so odd, I’ve loved her in everything else she’s been in but she made it such a hard watch. Maybe it’s because she reminds me of my grandma in the worst way lol, but I finished it for you anon sorry this was a little rushed Anyways, hope you enjoy lovelies Summary: Your neighbor went back in time and dragged someone back with him. He's irritatingly polite and far too interested in your way of life. What are you meant to do when you fall for a man who was never even supposed to meet you?

“Hello, madam, please I need your help!”

You’re used to crazies, it is New York after all. But they’re not usually shouting at you through your window. Especially not when you’re on the sixth floor. You look away from your coffee and glance towards the fire escape. 

There’s an oddly dressed man with red eyes waving at you through the dirty glass. You offer him a tentative wave back and he nods aggressively. “Yes, hello, I need your assistance.”

“Um,” you shake your head, “Sorry, I don’t have any drugs dude.”

“No,” he places his hands pathetically on the glass and shakes his head. “Please, I have been kidnapped.” Finally, you take a step closer to him. You can tell now that his eyes aren’t reddened from any medicinal fun, he probably got pepper sprayed. 

Your friend did it to you once when you tried to surprise her on her birthday and you’ll never forget just how awful you looked afterwards. You can see him a bit more clearly now. Whatever odd costume he’s got on, it looks good. Genuine and clean. 

Not like most of the street performers you see in Times Square. Besides, he doesn’t have that maddened look in his eye that makes you worry he’s going to come inside and kill you. Tentatively, you open the window. 

He’s leaping through in a second and you jump back with a yelp. He turns towards you and his eyes widen before he quickly turns away. “My good lady, where are your pants?”

“Uh,” you glance down at the oversized shirt you’re wearing and the tiny shorts underneath. Admittedly, it’s a little skimpy, but you’re not walking around naked. You’ve heard of committing to the bit, but this is a bit much. “On,” you tell him, walking around him and trying to stand close to the phone. 

“Ma’am-” He’s cut off as someone slams their fist on your front door. You keep a weary eye on the man while you unlock your door. 

“Hey,” Stuart smiles at you. His eyes drift slightly past your shoulder and he goes barging into your apartment. “Leopold! What did I say?”

You huff and glare at Stuart’s frantic back. “This is yours?” Stuart nods and rushes Leopold out the door. You don’t miss the pleading, while slightly scandalized, look he sends you. 

You slam the door closed behind them, shaking your head and going back to your morning paper. You doubt you’ll be seeing him around again. 

You know, it’s just your luck that your upstairs neighbor is a scientist, one who happens to dabble in the art of time travel. And it’s just your luck that he had to fall down a damn elevator shaft. 

Now, according to him, you have to care for someone from a different century so he can make it back to his time portal in, well, in time. This is fucking ridiculous. “I’m going to kill you, Stuart.”

“Look, they’re going to take my phone but he really cannot-”

It goes silent on the other end. You shout his name a few times but hear nothing in response. You assume the hospital staff has finally gotten sick of his shenanigans and has taken his phone. You slam your handset down with a huff and look towards the living room. Leopold hasn’t sat down since you walked in and it’s unsettling. 

“So,” you start and his attention snaps towards you. “1876, huh?”

He nods and you roll your eyes with a scoff. “Oh, this is insane. This is insane,” you mutter to yourself, walking towards Stuart’s door. Leopold gives you a concerned look before quickly following after you. There’s a part of you, and you hate that part, that actually believes some of this. 

Stuart is a brilliant, though flawed, scientist. You don’t doubt that he might have actually unlocked the secret to traveling back to the past, but it’s such an insane idea to try and wrap your head around. 

“Come on, we’re leaving.” You know that Stuart doesn’t want him out of the house. Tough. You’re not going to just stay inside and wait until he can supposedly go back to the past. You don’t give Leopold any time to process your answer, already out the door and heading towards the stairs. 

“You know,” he starts as he catches up to you. “You are quite rude.” Your first instinct is to snap back at him. But you take a breath and stop yourself. 

You’re desensitized, ridiculously used to just how awful New Yorkers can be to each other. And whether this man is truly from the past or not is up for debate. But he is polite and earnest, and you have no reason to be a bitch to him. 

“I’m,” the words are hard to come by but you force them out anyway, “I’m sorry.” He looks genuinely surprised by the apology and it only makes you feel worse. “This is just an insane idea to try and grasp.”

He chuckles softly, smiling as he glances down at his feet. “Yes, how do you think I feel?”

You’re sure it’s not his intention, but you only feel like more of an ass. If this is hard for you, whatever he's going through is a hundred times worse. You weren’t forcefully ripped out of your own time and shoved into another you don’t understand. He’s still trying to comprehend the television.

Though, you’re sure being a scientist has helped him in marginally understanding how all of this is possible. “How do you like the future?” It sounds awkward and stiff, but you haven’t had to talk to anyone in a really long time. 

Your interactions are pretty limited at the book shop considering no one ever comes in. They all order online nowadays and all you really have to worry about is organizing shelves. You’re embarrassingly rusty when it comes to conversing. 

And his propensity towards eloquence only makes you feel worse. “I must admit, some of your inventions have been quite fascinating. I’m especially fond of your showers.”

Your face scrunches slightly at the mention of hygiene and you nod, “I bet.” Before either of you can attempt to salvage this horrible attempt at conversation your phone starts ringing. “Hold on one second,” you tell him. You walk a few feet away from him but you can still feel his eyes boring into your back as you move away. 

“Hello?”

There’s a frantic shout of your name down the line and then the distinct jingling of keys. “I need you to cover the shop. Marcy just went into labor and I’ve got to go!” Paul doesn’t give you a chance to respond before he hangs up. 

Your jaw gapes and you stare down at your phone with shock. You know Paul and his wife had been expecting, but had it really already been nine months? Has your life become so monotonous and dull that nine months doesn’t even register for you?

It’s a depressing thought. One you’d rather not linger on. “What was that?”

You scream, though the people passing by don’t pay you any mind, and jump away from Leopold. “Jesus, where the hell did you come from?”

Leopold flinches away from you and his face is just as aghast as yours. “Good heavens, what is the matter with you? Do you respond to anything as a sensible woman might?”

“I resent that.” You tell him bitterly. Though, he does make a good point. You’ve been on edge constantly. You always seem to be more anxious than you are happy. It’s not a good state to perpetually exist in. “I need to go into work.”

You don’t want to outright say that he needs to go back to the apartment. It feels a little mean, but you’re hoping he’ll catch onto your tone of voice. 

His entire demeanor perks up and he smiles at you. “Wonderful, I am dreadfully curious as to what you do.”

You open your mouth to correct him, let him know he’s not coming. But he’s staring at you with such hopeful eyes that you cannot find it in yourself to turn him down. He seems so excited, you’re sure he won’t be when he gets to your cluttered little bookshop. You let out a weary sigh, “Fine. Okay.”

You walk towards the curb, hoping to hail a cab. But Leopold’s hand gently wraps around your elbow and tugs you in the opposite direction. Your eyes widen in response to his boldness. You thought touching a woman he wasn’t courting would cause someone like him to combust. Seems he didn’t mind breaking the rules sometimes. 

You make a mental note of that for later. You don’t know what you’re going to do with the information, but you find it intriguing. Maybe the modern world was rubbing off on him more than he’d like to admit. 

“We should take this,” he stops you in front of a horse-drawn carriage and you immediately begin to shake your head. 

“No, Leopold, these are just tourist traps-”

He doesn’t let you finish, opening the carriage’s door and gently nudging you inside. “Nonsense! This is far more enjoyable than those yellow monstrosities.”

“Taxi,” you correct. You turn towards the carriage driver and give him directions to your bookshop. “Ink and Tea on Fifth.” He nods and the carriage rolls forward with a lurch. You grip the cushioned seats and pray you don’t get motion sickness. 

“Ink and Tea?” Leopold inquires. “Are you a journalist?”

You smile and shake your head. “No, nothing so fancy. I just help take care of an old bookshop. They were supposed to extend the shop when it first opened. They were going to build a space for people to get pastries or drink tea, but it never happened and the owner was too lazy to change the name.”

It feels a little humiliating to be talking about your minimum-wage job to a renowned scientist. He’s invented or is going to, elevators. He doesn’t care about your stupid shop. But he doesn’t look particularly judgy of you. If anything he seems to be endeared to you the more you talk. 

Normally, you’re oblivious to these sorts of things. But it’s nearly impossible for him to hide. He’s not shy with his attraction, never taking his eyes off of you and hanging onto your every word. You’re not used to such outward attention. 

You look out of the carriage, pretending to take in views you’ve already seen a thousand times. “This city is incredible,” he wonders aloud. His awe is palpable. 

Your nose wrinkles and you shrug. “It’s dirty and the people are intolerable.”

“Must you always be so pessimistic?” You snap your mouth shut and feel embarrassment creeping around you. You’ve never had someone point out when you’re being negative, but he has a point. 

You used to view the city through the same rose-colored glasses. Something’s broken inside you in recent years that has just taken the joy out of life. Everything is grey to you now, until Leopold, nothing spectacular has ever really happened to you. 

The carriage comes to a stop outside the shop before you can respond to him. You want to deny what he says, but you can’t. Your attitude is almost always unnecessary. You think sometimes you might just be trying to see if everyone feels as miserable as you do or if there’s just something wrong with you. 

“Come on,” you tell him, getting out and paying the driver. He wanders towards the shop, eyeing the displays in the window curiously. 

“These are wonderful,” he tells you, pointing to the way you’d made the books look like they’re floating above the shelves. It was just some silly little thing you’d tried to get more people in the shop. It’d worked for about a month. 

“I did that,” you unlock the door to the shop and open it for him. But he doesn’t walk in immediately, instead, he lingers in the doorway. He offers you a soft smile and you can’t help but return it. 

“You’re more creative than you give yourself credit for.”

Your eyes widen as you watch him walk inside. He keeps making these oddly astute observations about you and it’s throwing you off your game. You barely know this man and you’ve always been good at keeping yourself aloof and vague. Yet, he seems to read you like you’re wearing your heart on your sleeve. 

“Feel free to…” he’s already made himself comfortable somewhere in the back and you trail off. “Look around,” you finish lamely. His form is lost somewhere in stacks of books and cluttered shelves. 

You know most of the classics and history books are kept towards the back. You wonder if he’s reminiscing or getting a headstart before he gets back to his time. You smile at the thought and walk behind the counter, sitting on the stool and preparing to finish off the rest of the day.

Leopold is still somewhere lost to you an hour later. Occasionally you’ll hear a page flip or the clatter of a book being reshelved, but there are no other signs of life. Not until the bell above the door rings. 

“Clark,” you smile, sitting up straighter as your friend walks through the door. “What’re you doing here?”

He gives you a crooked grin and shrugs. Just over his shoulder, you can see Leopold’s head pop over a shelf, he looks between you both, eyes narrowing with disdain. “Paul told me you’d be here, figured you might want some company.”

“Actually-” you start, but another voice cuts you off. 

“Leopold Mountbatten,” he comes around the corner, hand outstretched as he comes in between you and Clark. “And who might you be?”

Your brows furrow in confusion at the interaction. Leopold seems oddly hostile and Clark looks strangely caught off guard. “Um, Clark. Nice to meet you, man.” He shakes Leopold’s hand but his grip is weak and it only lasts for one awkward half-second. 

It’s uncomfortable to watch them try and interact and it only gets worse when they turn towards you. Clearly, they want you to tell them who the hell the other guy is. But you feel like that might just make the situation worse. 

Besides, you were pretty content with it just being you and Leopold, you don’t need Clark coming in here and riling things up. “You know, Clark, I’m set here. You can just go home.” Your tone leaves no room for argument but you know he wants to. 

“Alright, I’ll just call you later, I guess.” He throws one last skeptical look at Leopold before finally slinking back out of the shop. 

“Neither of you should be alone without a chaperone present.” Leopold bluntly scolds you without even waiting a second before Clark is gone. It catches you off guard and you scoff. 

You motion between the two of you, “We don’t have a chaperone.” 

Leopold shrugs, “Yes, well, I’m not courting you.” It shouldn’t, because he’s right, but that stings. He is attractive, surprisingly so. You have this odd belief that anyone from his century had to be at least a little ugly. But he’s near perfect. 

Hearing him tell you so bluntly that you’re not courting hurts a little. Though, you can’t blame him. You must be dramatically different than the women he’s used to. From your manners to how you dress, you’re practically an alien. 

You stand up from behind the counter and walk towards the cart of books that need to be shelved. “Clark is a friend. Nothing more.” You’ve never once been romantically interested in your friend. He’s attractive, but he’s not really your type.

Apparently, British men from the nineteenth century are. Which does not bode well for your romantic prospects once Leopold is back home. “It is plain for anyone to see how he wants you. Don’t let yourself be blinded by naivete.”

“Naivete?” you scoff and turn around to glare at him. “Don’t pretend to know anything about me, alright? I’m not some maiden in a frilly dress who needs a chaperone.” You can see that your words affect him. He looks a little taken aback by your anger and so are you. 

It’s misplaced. You’re not mad at him, just mad that you even like him. “Just go read or something, Leopold.” You dismiss him more rudely than necessary and hide yourself behind a few shelves. The rest of your workday is spent in a tense silence that makes your stomach churn. 

You’re nearly ready for bed when something slips under your door with a slight whoosh. You turn towards it, frowning when you see a little envelope with a wax seal on the ground. You pick it up and let your finger slip under the paper, opening it to find a letter with your name on it inside. 

The handwriting is impeccable, with a gracefulness to it that you’ve never seen before. You don’t have to read for very long to know who it's from. Leopold writes poetry about the color of your eyes and the way your lips curl when you smile. And then he ends it with a vague, nearly ominous, invitation to dinner. 

You can’t help but smile to yourself, changing out of your pajamas and slipping into something a little nicer. A few minutes later you’re climbing out your window and taking the stairs up the fire escape to the roof. 

You don’t believe your ears at first, thinking the music must be coming from another apartment. But when you make it up to the roof there’s a violin player there waiting for you. He smiles happily at you as you approach. 

You spin in a slow circle, taking in the sheer amount of flowers littered around the roof. You don’t know how he managed to afford all of this. He transformed the barren and empty rooftop into your own little paradise. Candles lit and a live musician playing for you. 

You’ve never had anyone do something like this for you, ever. It’s a little hard to accept that someone would be willing to put this much effort in for you. “I wasn’t entirely sure you would come.”

You turn around and Leopold is waiting behind you, that familiar smile playing on his lips. You aren’t aware of the grin forming on your face in response. You don’t have much control over that when you’re with him. 

“Why wouldn’t I?”

He looks like he wants to respond but at the last moment thinks better of it. He instead pulls your chair out for you, helping you into your seat. “This is nice,” that feels too underwhelming a word for such an incredible gesture. 

You sigh and frown as you try and find the right words. You don’t notice him sitting down across from you. You only look up when you feel him placing his hand on your own. “It’s alright,” he assures you. 

It’s still so odd how he can know you so well after such little time. “This is incredible,” you tell him, undeterred by his attempts to soothe you. “No one’s ever done something like this for me.”

He looks like he takes personal offense to that and it makes you laugh. “You deserve far more than this. Sadly, it seems Stuart’s pockets do have limits and I’m afraid I would have put him into debt if I’d gone any further.”

You have the perfect mental image of Stuart coming back from the hospital only to find his science project has robbed him. It makes you laugh and you squeeze his hand once before drawing it back into your lap. He lets his touch linger on you for a long moment, seemingly reluctant to pull away. 

“No,” you tell him, “this is perfect.” 

You fall into a comfortable silence for a little while. Conversation mostly drifting toward what his life was like as a duke. You don’t have much to say about your own life. It’s been incredibly normal and you’re a little sad to find that you don’t have one good thing to share with him. 

Nothing comes to the front of your mind. 

Inevitably, you drift into the topic you’d both been so adamantly avoiding. “Has Stuart said when you’d need to return?”

Leopold’s grip on the fork tightens and for a moment he refuses to meet your eye. “Monday, I’m afraid.”

“Oh,” your eyes widen and you feel something burning at the back of your throat. Monday, the same Monday that’s two days away. 

“Dance with me,” the suddenness of the demand catchers you so off guard that you forget the tears. He stands, holding out his hand to you. You almost say no, you can’t remember the last time you danced and you doubt it’s going to be pretty. 

But he whispers your name and something about his tone tells you to take the chance while you have it. You slip your hand into his, letting him pull you to your feet. He doesn’t sweep you off your feet and dance the night away. 

Instead, he holds you close and you sway together. Like moving even an inch away from each other would hurt. “You could come with me,” he tells you. And you know immediately what he’s talking about. 

You also know it could never happen. Going to the nineteenth century is insane. Even considering it should be enough to have you sent to a psych ward somewhere. Especially not for a man you’ve known for less than a month. 

You try and tell him that you can’t, but he stops you. “I know, a preposterous idea. I just wanted to think about it.” You look up at him and find that you can’t take that away from him. There’s nothing wrong with imagining what it could be like with him. Even when you know it can never happen. 

You dance like that for a little while longer, swaying against each other while the violin plays in the background. He whispers your name and when you gaze up at him this time, there’s a certain look in his eye that you know is reflected in your own. 

He dips down, lips caressing yours gently before he’s pushing more firmly against your own. The world stops. Cliche, you’re aware. For the first time in years, though, you’re alive. You feel something other than the dull monotony of life. You feel excited and terrified all at once. Because you know you can never have this feeling again. 

You will never meet another man like Leopold who ignites this spark of life and passion within you. Never has a man been able to make you doubt every decision you’ve ever made with just a kiss, but here he is. 

Your arms lift like you might try and draw him in closer. His hands come up, taking yours in his gentle hold and squeezing. He pulls away from you and reality comes crashing back down. You’re not in love, you can’t be. You’ve only just met him a few days ago. 

Yet, here you are, wondering if you might actually want to leave everything behind to be with him like the great romances authors write about. He smiles at you and there’s a bittersweetness to it, a final farewell that you know will break whatever is left of your heart. 

He lifts your knuckles to his lips, pressing his lips against them like he never wants to part. “Goodnight,” he whispers your name and backs away from you. You watch him go, watch him leave, unable to muster up any words for him. 

You can’t think of anything that would ease this gnawing ache inside of you. Nothing to soothe the pain for either of you. You let him go because you know if you asked him to stay he would. And how selfish of you would it be to let history unravel simply because you fell in love? 

Monday. It is Monday. You’ve been coming to terms with that all weekend. You don't want to think about the fact that Leopold will be gone tonight. Your time together was so brief but you feel like you’re never going to get over losing him. 

Before the night was over on Sunday, a note was slipped under your door. This handwriting was messy, it made you think someone other than Leopold had written it down, but you don’t know who it could have been. 

It was a date and time, jump off the Brooklyn Bridge at this time on Monday night. Only an idiot would jump off a bridge because of an ominous note slipped under her door. But you haven’t been able to take your eyes off of it, not since you first picked it up. 

Leopold had invited you to go with him. And while you might not have said no, the insinuation was clear. Your eyes dart to your clock. If you left now, you could still make it in time. What an absolutely ridiculous thought. 

So, why are you running out the door without locking it? Why do you not care who slips into your home now? There’s this sense of finality within you that lets you know you’re never going to see that place again and that’s okay. 

You never truly felt comfortable in your life. You always thought a part of yourself was missing. Or that you were always running late for something. You think you understand what you were feeling now. 

The thing you’ve been searching for your whole life wasn’t halfway across the world, a hundred thousand miles from you. He was on the wrong side of time, or you were, at least. 

You manage to snag a taxi to get to the bridge but there’s a traffic jam. You’re forced to jump out of the car and run through the different lanes of blocked traffic. People shout at you. Your cab driver screaming after you about your fare. You don’t care, the only thing you can think about is the note crumpled in your hands and the clock counting down how long you have to jump. 

You’ll either be on the news tomorrow as an unfortunate suicide. An idiot who accidentally threw herself off the wrong side of the bridge. Or, you’ll see Leopold again. 

You reach the ledge and you can’t hesitate. If you do, you won’t jump in time. You close your eyes, holding your breath like you’re jumping into your neighbor’s pool. Air rushes around you, whipping at your hair and skin violently. 

It’s not until you hear someone shouting down at you that you realize you’re not dead. You’re lying in the middle of a dirt road, a group of people staring down at you with concern in their eyes. 

You only have to take in the clothes they’re wearing to know you’ve made it. Before they can react you’re leaping to your feet and running off. You know you’re near the Brooklyn Bridge, or where it’s supposed to be at least. You know enough about the area to remember where Leopold’s house is supposed to be. 

You’re covered in sweat and red mud. The people you pass by in the streets hide behind their hands and whisper about you. You’re not making a good impression on your future neighbors, that’s for sure. But, honestly, all you care about is making it back to him. 

You see people congregating outside his uncle’s home. You know there’s a party inside, that he’s supposed to be announcing who his wife will be. You barrel through the people outside, shoving through the crowd and running up the steps of the house. 

You can hear Leopold’s voice as you run, “The woman I’m going to take as my wife is-”

There’s a loud gasp as you come panting into the room. You can’t catch your breath long enough to speak but it doesn’t matter. The crowd is parting around you and Leopold is smiling down at you. He says your name and there’s nothing else that matters about the world around you. Not when you finally found each other. 

end. — I do not own the characters or the movie Kate & Leopold, but this writing is my own all rights reserved © not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.

[aftgphoenix]

Hehe have a short Jean, Cat, and Jeremy story!

Neil: Back at the airport. Flight lands at 3pm

Andrew: k

Kevin: How is Jean?

Neil: Alive. Talk later.

...

Andrew and Kevin were waiting for him at the airport when Neil landed. He was exhausted. After he'd dropped Jean off back at his house, Neil had gone to meet Stuart at a hotel room where they had talked strategy late into the night. He'd verified that his hit on Grayson had reached the right people and would be taken care of in the next day or two. And he asked Uncle Stuart for one extra favor. He went to the airport after that and slept on the plane.

He gave them a brief rundown of what had happened, omitting the parts about Grayson and Elodie. He wasn't sure Jean would want him sharing about that with Kevin. He'd fill Andrew in on the rest later, when they were in private. 

A week later, a package was delivered to his school mailbox with no return address. Neil ignored all of Kevin's questions about it. The next day, he dragged Andrew down with him to the school post office and mailed off the package to Jean.

...

Cat grabbed the mail from the mailbox before she went inside the house after practice. It was more of the same, junk mail, a bill for electricity, some catalogues, but at the bottom is a large white envelope. There was a Palmetto return address but no name and it was addressed to Jean. Curious, she beelined for the boys' room.

They were both in there. Jeremy was afraid to leave Jean alone after what had happened with Grayson. That was only further complicated by Grayson's second suicide attempt. This time he'd succeeded and it had sent Lucas into a spiral. Jean had barely reacted, which only served to concern herself, Laila, and Jeremy even more. 

"You got a package, Jean. Looks like it's from Palmetto," she said, handing the package to Jean. He took it tentatively, like he was scared to find what was inside it. Cat hesitated for a moment, wondering if she should stay or let him open it in peace. She decided that if he wanted to open it alone, he could set it aside. Instead, he carefully lifted the tape that was sealing the envelope closed.

He waited a moment before he slid the contents out on the bed. It was a pile of photographs.

"Wait, is that you?" she asked as she caught sight of a familiar scowling boy about ten years old. It was strange seeing him without his 3 tattoo. Jean didn't answer but instead gently reached his finger out to touch the little girl next to him in the photo.

"She was so young," he whispered. Jeremy had moved over to Jean's bed as well.

"Do you want to look at them alone?" he asked.

Jean hesitated a moment, then shook his head.

"Stay," he said, almost too quiet to hear. Jeremy sat down next to him and Cat sat on the other side.

"Who is the girl?" Jeremy asked. 

"Elodie," Jean said. "She was my little sister."

Cat felt her blood run cold as she realized what Jean was saying. Neither she nor Jeremy said anything as Jean slowly flipped through the small pile of photographs. Each one was of him and Elodie. In some, he was holding her hand or playing with her. In one, he was glaring at the camera and holding her protectively against himself. In the last one, Elodie was crying and Jean looked angry. He was hugging the girl. It was the oldest he looked out of all the photos. Cat didn't say anything when she saw a tear slip off of Jean's nose and splash onto his arm. She leaned her head against him comfortingly.

As Jean set the last photo aside, Cat saw there was a note underneath it. In messy handwriting was scrawled a short message:

You're worth just as much as she was -N

ao3 link if you want to save it

[charaznablescanontoyota]

"marn i missed sgdq 2024 what should i watch"

hi i decided i'm doing another one of these. it's been a minute. this past week was summer games done quick, an annual speedrunning marathon raising money for doctors without borders and also a great way to get into watching speedrunning. a lot of their content is tailored towards being both clearly explained and fun to watch for an audience outside the speedrun community, so you can jump in with basically no knowledge besides “this person is gonna play a game really fast”.

gdq has the full week's worth of vods up as a playlist on their channel, but here are some runs that i personally think you should check out:

ken griffy jr presents mlb by peanut butter the dog: look it's a dog playing baseball. i don't know what else to tell you.

the entire silly block: speedrunners get up way too early in the morning/late at night to play games that feel like a fever dream. some of the commentators are going on 24 hours of no sleep. it's brilliant. my personal highlights of what i've seen so far are stuart little 2, mad panic coaster, city bus simulator race, and the golf it wrong hole only race that the players dressed up as golfers for

alan wake 2 alan%: alan wake clips through walls and generally has a bad time while a bunch of gamers call him a sopping wet catboy. the runner for this one is really charismatic and it's very funny to see staff rushing to open up the pit as soon as we sing starts (yes they do the dance of course they do the dance). i just love joyful runs of horror games man

super mario 64 blindfolded randomizer: what if you played mario 64 blindfolded and also the stars were in completely random locations. and also you had to do it very very fast.

kingdom hearts 2 critical any%: every kh2 speedrun i've ever seen is a work of art and this one is no different. some of the boss fights go down so fast you will literally miss them if you look away for a minute. and also two of my favorite runners are on couch commentary!

balatro showcase: genuinely made me rethink how i'm playing some of the balatro decks. also great commentary and just fun all around despite (or perhaps partially because of) the absolute struggle session going on with plasma deck in the beginning

super mario world kaizo relay: kaizo is a shorthand term for a game hacked to its absolute limits of difficulty that often requires strict precision of movement and can punish the player for thinking they're smarter than it. in this segment, two teams of 4 very very good mario runners race to complete 8 kaizo levels they've never seen before in their lives

mario maker 2 troll level race: i always like the mario maker races for the same reason i like the kaizo relays. i love watching two speedrunners thrown blindly into the shit have to make up strategies on the fly via trial and error (and error, and error, and error, and...)

kirby air ride race: two high level kirby air ride speedrunners race for an actual physical title belt. the trash talk game happening here is of the insane variety that only two very skilled people who truly respect each others' talents at their game of choice can provide

kaizo mario galaxy: what if mario galaxy hated you even more than usual and would stop at nothing to kill you. also most of the commentators are only familiar with the vanilla game and their reactions to the added-in bullshit are hysterical

tony hawk pro skater 1, 2, 3, and 4: i fell asleep watching this and woke up in a cold sweat to the sound of a bunch of people singing superman by goldfinger. good run

super mario rpg remake: this was the finale block and it's just great to see a bunch of people who really really love the original mario rpg get to hang out and talk about how good it is and also watch a world record level player absolutely stunt on the game

halo 3 four-player co-op legendary: dudes rock

[hatefully-crafted]

Also, it should go without saying that the premise of subsequent brand initiatives like his Whitest White (ugh... THAT has new meaning now) paint are also complete nonsense. Like, sure man, it'd be shitty if companies got ahold of the pigment tech and made it a proprietary industrial secret. But also like, you're SELLING IT TO US. If he ACTUALLY gave a damn about supporting artistic freedom, he'd put the entire manufacturing process for ALL his pigments out on YouTube/Mega, and let everyone replicate it freely. But he doesn't. He sells it to you. For EXCESSIVELY high prices. No Creative Commons. No nothing. If someone is really anti-authority, sure they CNA try to make money to survive, but they CANNOT also be trying to dominate a marketplace. And that's what he's doing. Because he SUCKS.

Stop helping Stuart fucking Semple advance a racist and antisemitic narrative and build his brand on a pile of fucking lies.

Thank you @gehe-lihiyot-androgynos-varda for putting this so clearly and succinctly.

[allfortheslay25]

In an au where milo has siblings that aren't Maya and Ollie, what would they be like and how would it affect the canon lore in miloverse?

Finally, I can answer this ask✨

Sorry for the long wait, I ended up pretty busy with my job and was backed up with loads of asks (I don’t like mixing my doodles unless it’s just one or two but I had HUNDREDS of asks about All for the fish and decided to just pick through and answer as many as I dared)

Anyways! For Other Kids AU (aka separate ‘what if’ AUs where the Foxes have other or more kids)

Ofc I thought of more andreil kids. What do you take me for? The aftg brainrot is my disease✋😔

⚠️ this is not canon to We’ll Both Be Fine or Milo’s main story in general. This is a what if situation ⚠️

Admittedly, they could have been canon but andreil didn’t care about having more children. Milo was enough for them.

The first kid is Connie (Conner David) born 2011. Andrew and Neil decide not to deletus the fetus and so Connie is born. It is actually Nicky who gets to name him :)

Milo is very happy and emotional about having a little brother and tries to involve himself in every second of his life. They grow up very close, Connie looking up to Milo a bit.

Connie likes writing, cookies with jam, and spring

Dislikes conflict, chewing gum, and his freckled eyes (has eye nevus)

Second are the twins, Honey (Miela Marie) and Niko (Nicholas Nolan) both born 2014. Very simple decision from andreil that since Connie went well, why not test fate? And then they had twins who tried to make their lives hell. Andreil let the Foxes brainstorm names and send their best picks for andreil to choose through before narrowing it down to six (three if it’s a girl and three if it’s a boy) (they didn’t know it’d be twins) and let the foxes make a unanimous decision. The foxes decided on Nolan for a boy and Miela for a girl. Andrew and Neil ended up naming the boy Nicholas (Nicky cried about it for days) and gave Miela the middle name Marie after Abby.

Although Milo loves his new siblings, the twins are very hard to deal with and whine to him about every thing instead of andreil. The kids are also a bit air headed and tend to be hurtful without meaning to. When Milo goes to college, he finds out that they replace him with Connie who takes care of them as if they were his kids. (Admittedly, they love Connie more and it hurts Milo’s feelings)

Honey likes apiculture, traveling, food

Dislikes sitting still, sharing her things, being told what to do

Niko likes sports, napping, living life to the fullest

Dislikes being active (when it’s not sports), alcohol, explaining himself (he can’t)

Old concept designs when I was first making them

Some facts:

- Honey and Niko don’t consider Milo their brother but not in a malicious way. In their weird minds, he’s too old and different (however, they consider him family the same way Nicky, Aaron, Kevin, and Robin are)

- Honey lives with Nicky and Erik in Germany. She goes to school there

- Connie briefly lived with Stuart in the UK for two years, studying literature and journalism

- Niko doesn’t like playing exy but he goes pro as a hockey player since it’s similar

- they all call Milo something different. Connie calls him Brother or Milo, Honey calls him Mywo (Me - Woah), Niko calls him Lio or Em

- Milo used to take the kids to school (either walking or driving) since the twins were in daycare

- each kid is represented by one of the many animals that represent Milo. The rabbit (Connie), the bird (Honey) and the cat (Niko). With them, Milo is the dog. (Each animal makes up a part of Milo’s personality)

-⬆️ specific animals: White bunny (Connie) summer tanager (Honey) orange tabby (Niko) Wolf or Fox (Milo). However if they were Milo; New Zealand rabbit, Crow, and Red Siberian cat

- Maya would not be born in this au because at that point, they’d have their hands full with the twins and there’s no reason to have another. Ollie would have not been adopted either

[originalwinnercheesecake]

Wish list for CBS ghosts season 4

Make Patience a recurring antagonist for at least 2-3 episodes before that story gets resolved and she gets regulated to a background character.

Patience character to be 50% good religious farm girl, 50% crazy witch. She also needs to have a wicked(ly cool) ghost power

More of Isaac loving dinosaurs

More solo development for Isaac

More of Isaac and Hetty's awesome friendship

No Nigel for a while. I do not like him. He did a lot of things in his and Isaac's relationship that are textbook abusive partner behavior.

I think it is about time for Jay's restaurant to start up, and I would like that to actually become pretty successful/profitable. Mostly because I would like Sam and Jay to have a bit more disposable income to do things around the manor, and I know the B&B is unlikely to become super busy next season (unless the show is ending , which I really do not want).

The difference in treatment between the above ground ghosts and basement ghosts to be addressed. I know after season 3 that they aren't going to move them all up stairs. But it would be nice if Sam and Jay could like furbish the basement , and then more Basement ghosts than just Nancy got invited to come upstairs for games or discussion.

Just to be clear I still want Nancy to keep making her frequent visits up stairs and hang out with the man 8. I just also would not mind seeing Stuart or another nameless basement ghost standing or walking by in the background on the occasion.

Explore Pete's power more. He does not need to hop on a plane and go across the country or anything, but let him keep going out into town and having adventures. Also let him keep going on dates with other random ghosts outside of the house.

I know that Pete&Alberta will probably happen at some point in season 4. The thing is though while that ship was cute in season 1, the way the ship was handled in season 2 soured it like milk to me. Both characters need a lot of development, and separate explorations of what they want out of a relationship, before I can ship them again.

H-Money is still a couple I kinda like. I do not expect them to get back together in season 4 (Please not another season that is fully devoted to coupling up all the character), but I would like them to start scheming together again. Let them figure out how to interact together as friends, and build a stronger foundation to eventually, in season 5 maybe, try again.

I have heard people suggest that Pete's power could maybe be extend to getting the other ghosts through the barrier if they are like holding onto Pete's hand. I want this. Now I know Sass will want to visit a Pizza Hut, and Issac a dinosaur museum, but I would say the most important thing to do with that would be to take Thor and Flower over to the Farnsby manor to visit Bjorn and his girlfriend Judy. It would also be cool if there was a lesbian ghost living there they could set up Nancy with. Since Nisaac is on a "respite" and queer representation (preferably healthy queer representation) is important.

Everyone remember in season 2 when we learned about Flower's super protective, formally MIA, army vet brother : Rob. You remember how the show's staff said they would love to have Rob come to the B&B for a visit, and were already considering actors who could play him? I want this episode. Also if you cannot directly tell Rob his sister is a ghost on the property, then can Trevor or Alberta use their powers to help Flower send a message to Rob. To say that she still loves him. I cannot deal that both siblings spent like 50 years thinking the other hated them when neither did. It is to sad.

It would be cool if we could also have Ira visit once too. I know Flower did not love him like she did Michael or does Thor, but he was still someone who was a big part of her life for a while, and knowing her cannonly had a large impact on his. Maybe we find that while he has done charities in her memory, trauma over watching her be killed by a bear has also lead him to sponsor bear hunts or poaching. Flower is horrified. Then Sam and Jay have to spend his visit looking for a way to convince him that is not what Flower would have wanted.

Four standard episodes for each season are a Halloween episode, an episode where Bela visits, one where Stephanie wakes up, and one where Crash appears and is slightly relevant. I have no idea what to do for an episode with Crash, but for the others

-Ghost animals on Halloween

-Home theater night for ghosts and guests on the night Stephanie wakes up, complete with all the drama of set up and shenanigans that going to the movies encores.

- Bela is broken up with Eric, she does not even like him. This time her and Jay's parents come with her for the visit. Bela wants all the latest gossip surrounding the ghosts, but they have to tip toe around the parents. Jay's dad does not fully support the B&B even without the knowledge that it is haunted, and Sam does not want to give her mother in law another reason to suspect that she might be crazy.

Owning back to the "Can Pete take the other ghosts off the property" theory, can Thomas Woodstone be a ghost who died visiting a neighbors property. We have no reason to see Elias again since he has decided to stay put in Hell. But Thomas reappearing could be interesting for both Hetty and Alberta. If he does show up though I want the twist to be that he is actually severally cognitively impaired (think Lenny from oMaM)... I mean the man was from an inbred family, played with lead based toys as a baby, had a cocaine addict mom, and a father who was a lot of things. He could not have been all there. Also address more on if Earl ever actually cared for any of the people he was two timing (again development that needs to happen to make Alberta want to go from dating an Earl to a Pete).

A Sasappis based episode that is not his death story. I feel like he needs at least one more episode exploring what his life alive was like, to be appropriately gutted when we learn about his secret death.

Actually maybe we can hold off on Sass's death and Hetty's ghost power until season 5. let's keep the element of mystery in the show for a little longer.

[obriengf]

OH how would the guys react to seeing reader in something sexy for the first time

omg i loved this - please send me some dylan characters and headcanons!

stiles: his jaw would quite literally drop to the floor, eyes staring shamelessly. you were probably going to a party and lydia gave you some unnecessary fashion advice, but you started rethinking just how necessary it really was when you saw stiles' reaction. he would have the equivalent of cartoon heart eyes, and an obvious trail of drool down his chin. constantly babbling about how good you looked, how beautiful you were. scott would need to give him wack over the head to break him out of his admiring daze.

mitch: this depends purely on the situation. if it were casual, he would wolf whistle loudly. probably make some small remark about how sexy you look, how he was desperate to get his hands all over you. holding your hand above your head and prompting you to twirl for him. if it were on a mission, however, he would stay silent but he can only control himself so much. you're undercover and he didn't expect the tight material, but he would stare, like really stare... especially at your ass. most likely thinking very dirty things.

thomas: the first thing he would do is curse under his breath, very taken aback. he would be drawn speechless after that, but it was his eyes that did all the talking. they trailed every single inch of you, slowly and with purpose. when he focused on a bit of skin you can guarantee that he would be biting down hard on his lip, trying to hold back a moan. thomas wouldn't be able to stop thinking how soft your skin would be, and you better believe that he has the image of you burnt in his mind forever.

stuart: he would need to be coaxed away from his phone or laptop screen, but damn, when he did he would forget that they even existed. his face would contort into a faux-drunken expression as he took you in - eyes blinking constantly, wondering if this was a dream. you'd be talking to him about going out with neha and some other friends, but he wasn't listening in all honesty, just absolutely mesmerised by how hot you looked. then he'd probably snap out of it and remind you to take one of his jackets to stop pervs from staring at you too.

joel: it'd be a hot day, a really hot day, as you wandered across the surface to get to jenner beach. joel would be ahead of you, face peering down at the map, talking aloud but mostly to himself. it wasn't until he turned around to ask you something that he saw that you had shed some layers - your jacket gone, shirt rolled up your torso, shorts cuffed even shorter. you were glistening from the heat and perspiration of the environment. he could hear boy barking at him, and he could see you reach out, but joel was so taken by how you looked that he didn't notice the hole behind him - one step too far, eyes focused on you, and joel fell deep, and hard (play on words, hehe).

sam: he first saw you standing across the bar from him - he'd definitely spoken to you before, in fact, you were one of his many tinder dates, but he never called you back. sam didn't remember that though as he drunk in your tight clothes that hugged you just right, and how your hips swayed as you walked, your body perfect as it stood before him. sam's obliviousness forced him over to you as he leaned on the bartop, tongue lapping at his lips, a silent groan settling in his chest. he threw a compliment your way, and next thing he knew, your drink was thrown back in his face.

richie: he would be so proud that his partner looked that good. it was a thing of richie's to focus on appearances - he had to, always being in the spotlight. not to be mistaken though with the fact that he loves you for being you, your kindness and huge heart is what captured his. but he never would've expected your clothing to be that figure-hugging, especially within this day and age of conservative, but expensive, dressing. you were both at a gathering and richie definitely showed you off, you were his and he wanted everyone to know it. after enough gawking, though, he took off his coat and draped it over your shoulders - not to be removed until later tonight, in his bedroom.

[mclennonlgbt]

Paris in John and Paul’s life

30th September 1961:

“John and I went on a trip for his twenty-first birthday. John was from a very middle-class family, which really impressed me because everyone else was from working-class families. To us John was upper class. His relatives were teachers, dentists, even someone up in Edinburgh in the BBC. It’s ironic, he was always very ‘fuck you!’ and he wrote the song ‘Working Class Hero’ – in fact, he wasn’t at all working class. Anyway, one of John’s relatives gave him £100 for his birthday. A hundred smackers in your hand! That was a real windfall. None of us could believe it. To this day if you gave me £100 I would be impressed. And I was his mate, enough said? ‘Let’s go on holiday.’ – ‘You mean me too? With the hundred quid? Great! I’m part of this windfall.’” - Paul McCartney, Anthology

“We planned to hitchhike to Spain. I had done a spot of hitchhiking with George and we knew you had to have a gimmick; we had been turned down so often and we’d seen that guys that had a gimmick (like a Union Jack round them) had always got the lifts. So I said to John, ‘Let’s get a couple of bowler hats.’ It was showbiz creeping in. We still had our leather jackets and drainpipes – we were too proud of them not to wear them, in case we met a girl; and if we did meet a girl, off would come the bowlers. But for lifts we would put the bowlers on. Two guys in bowler hats – a lorry would stop! Sense of Humour. This, and the train, is how we got to Paris." - Paul McCartney, Anthology

“And Paul and I also did the same thing, once. We just cancelled. We’d made it, in Liverpool. We were making good money, for those days. I can’t remember what it was – maybe a couple of hundred dollars a week – but enough that you’d have a little extra. You’d have it in your back pocket. And Paul and I just— A relative of mine gave me a hundred pounds, for my birthday, which I’d never seen that much money in me life. Paul and I just canceled all the engagements, and left for Paris… And George was furious, because he needed the money – to work, you know. But that was another time when the group was in debate as whether it would exist or not.”  - John Lennon, 1976, an interview with Elliot Mintz

“Last night I heard that John and Paul have gone to Paris to play together – in other words, the band has broken up! It sounds mad to me, I don’t believe it…” - Stuart Sutcliffe, Anthology

"They were brothers. They were the Nerk Twins, and now they were taking a break from the Beatles and going off to Spain. En route, they’d stop a day or two in Paris, to size up the Brigittes, check out the kind of clothes Jurgen Vollmer wore, and perhaps see Jurgen himself, if he was around. [Johnny] Gustafson happened to bump into them the day they left, Saturday 30 September. “They both had bowler hats on, with the usual leather jackets and jeans. They said they were off to Paris, so I walked down to Lime Street station with them and watched them go. They were an incredible pair: always great fun, irreverent, and so close.” - Mark Lewisohn, All These Years: Volume One

“We’d never been there before. We were a bit tired so we checked into a little hotel for the night, intending to go off hitchhiking the next morning. Of course, it was too nice a bed after having hitched so we said, ‘We’ll stay a little longer,’ then we thought, ‘God, Spain is a long way, and we’d have to work to get down there.’ We ended up staying the week in Paris – John was funding it all with his hundred quid.

We would walk miles from our hotel; you do in Paris. We’d go to a place near the Avenue des Anglais and we’d sit in the bars, looking good. I still have some classic photos from there. Linda loves one where I am sitting in a gendarme’s mac as a cape and John has got his glasses on askew and his trousers down revealing a bit of Y-front. The photographs are so beautiful, we’re really hamming it up. We’re looking at the camera like, ‘Hey, we are artsy guys, in a café: this is us in Paris,’ and we felt like that.

We went up to Montmartre because of all the artists, and the Folies Bergères, and we saw guys walking around in short leather jackets and very wide pantaloons. Talk about fashion! This was going to kill them when we got back. This was totally happening. They were tight to the knee and then they flared out; they must have been about fifty inches around the bottom and our drainpipe trousers were something like fifteen or sixteen inches. We saw these trousers and said, ‘Excusez-moi, Monsieur, où did you get them?’ It was a cheap little rack down the street so we bought a pair each, went back to the hotel, put them on, went out on the street – and we couldn’t handle it: ‘Do your feet feel like they are flapping? Feel more comfortable in me drainies, don’t you?’ So it was back to the hotel at a run, needle and cotton out and we took them in to a nice sixteen with which we were quite happy. And then we met Jürgen Vollmer on the street. He was still taking pictures." - Paul McCartney, Anthology

“Jürgen had a flattened-down hairstyle with a fringe in the front, which we rather took to. We went over to his place and there and then he cut – hacked would be a better word – our hair into the same style.” - John Lennon, 1963

Interviewer: I heard you took a trip to Spain before once, didn’t you? On Holiday? Paul: I didn’t go to Spain, no. I tried once to make Spain but… and John and I were gonna hitchhike. We hitchhiked down from Liverpool… We didn’t hitchhike. No, we got the train down from Liverpool ‘cause we thought we won’t hitchhike down the first bit. And we got the boat over to Paris. Then we got the train into Paris ‘cause we thought: “Well, it’ll be too hard to get a hitch here”. And we just stayed in Paris all week. And eventually… I mean, all the time trying to get out of Paris and make Spain! We never made it, we just flew home at the end. What a lazy hitchhiking Holiday!

“The thing was all the kissing and holding that was going on in Paris. And it was so romantic just to be there and see them even though I was 21 and sort of not romantic. But I really loved it, the way the people would just stand under a tree kissing. And they weren’t not mauling at each other, they were just kissing.” - John Lennon

"John’s 21st birthday was a month away, and he knew he was getting money — 100 pounds cash, more than he or Paul had ever seen in their lives. (…) Bob Wooler was party to their planning, and fought with them:

They were bored, and decided they would go away for a month. I thought this was disastrous because they would be away from the scene too long and lose their fans, Fans were very capricious: they moved from one group to another. And anyway, what about the other two members, George Harrison and Pete Best?. What about them, what do they do? We argued a lot about this — we argued in the back room of the grapes pub to a large extent —- and they said ‘Well, we’ll go away for a fortnight only’

(…) Equally, the promoters who paid the Beatles over-the-odds to present them every week had to “lump it” (….). To a man, and woman, they were incensed by it - but John and Paul hadn’t a care. They didn’t mean to be rude about it but basically it was tough shit.

it was tough too on Dot and Cyn, Dot simply had to accept the situation, but Cyn had a greater case of grievance. John was heading off without her when he could so easily gave waited for the art school holidays. (…).

That John was taking Paul, no one else, accentuates the renewed closeness since Stu quit The Beatles. They were the Beatles force, an unstoppable and authentically powerful pair. “Lennon had the attitude”, Wooler said, “and taking his lead from Lennon, McCartney could be similar. At times they reminded me of those well-to-do Chicago lads Leopold and Loeb, who killed someone because they felt superior to him. Lennon and McCartney were superior human beings”

"You’d always see them together, in the pub or walking along the street", says Johnny Gustafson of the Big Tree. "They were a duo, and seemed each other’s equal". Bernie Boyle, the young lad hanging around with them at every opportunity, says, "They were like brothers, with John as the elder and Paul’s mentor. They were so tight it was like there was a telepathy between them: on stage, they’d look at each other and know instinctively what the other was thinking"

They were brothers. They were the Nerk Twins, and now they were taking a break from The Beatles and gofin off to Spain. 

Gustafson happened to bump into them the day they left, Saturday, September 30. “They both had bowler hats on, with the usual leather jackets and jeans. They said they were off to Paris, so I walked down to Lime Street station and watched them go. They were an incredible pair: always great fun, irreverent and so close. - Mark Lewisohn, Tune In: The Beatles: All These Years (2013)

As was written in this post: That last picture is one Paul took of John sleeping in Paris. From what I remember of a performance he did of ‘Here Today’, and earlier comments, this picture hangs framed on a wall in Paul’s house.

Unconfirmed quote (may or may not be true): 

"He must have been fond of me to spend that money. He let me have all the banana milkshakes I wanted.”  - Paul McCartney

In January 1964, only a few scant weeks before the Beatles took America by storm, the band mates settled in for an extended stay in Paris. For the group, the Parisian visit proved to be a magical experience, with the Beatles playing 18 shows at the Olympia Theatre between Jan. 16 and Feb. 4 (source).

The Beatles were staying at the George V Hotel at the time. John and Paul composed "Can't Buy Me Love", "I Should Have Known Better" and "If I Fell" on the piano.

The photo Paul took of John (in the "Eyes Of The Storm" book):

1966: Paul, his girlfriend Maggie McGivern, John and Brian Epstein spend 5 days in Paris. "All of them flew into France separately — Lennon had been filming abroad and Epstein had been away on business. Maggie and Paul, she says, traveled apart ‘as part of keeping the relationship secret’. During the five-day trip the foursome stayed at the same Paris hotel where she and Paul shared a luxury suite. ‘It was a marvelous holiday,’ she says. ‘. . . just walking around the streets of Paris.‘My abiding memory is of me, John and Paul lying under the Eiffel Tower, gazing up at it. We couldn’t go up because we would have been recognised, and we were masters at the art of avoiding people." [x]

1969:

Hoping to get married in France, John Lennon and Yoko Ono flew to Paris on this day [16th March].

The couple had decided to marry on 14 March 1969, two days after the wedding of Paul McCartney to Linda Eastman; whether it was in response to this event on some level is open to conjecture.

On McCartney’s wedding day Lennon and Ono were travelling to Poole in Dorset, where he introduced her to his Aunt Mimi. During the journey he asked his chauffeur Les Anthony to go to Southampton to enquire about the possibility of the wedding being held at sea, on the cross-channel ferry to France.

(source)

“On March 12, Paul married Linda Eastman at Marylebone Register Office in London, amid scenes of hysterical grief from his female fans. None of the other Beatles was present. The news reached John as he and Yoko were driving down to visit Aunt Mimi in Poole. Yoko’s divorce decree had become final a few weeks earlier, and, in a resurgence of Beatle copycat, John told her they, too, must get married as soon as possible” - Philip Norman, John Lennon: The Life (2008)

"We chose Gibraltar because it is quiet, British and friendly. We tried everywhere else first. I set out to get married on the car ferry and we would have arrived in France married, but they wouldn’t do it. We were no more successful with cruise ships. We tried embassies, but three weeks’ residence in Germany or two weeks’ in France were required." - John Lennon

1974:

“After a late lunch, Linda launched into a long paean to the joys of living in England. When she was finished, she turned to John and said, “Don’t you miss England?”

“Frankly,” John replied, “I miss Paris.””

— May Pang, Loving John (1983)

1978:

Wings album "London Town" is released. It includes the song "Cafe on the Left Bank", the lyrics of which clearly refer to John and Paul's trip to Paris.

Late 1970s (maybe 1978?): John is singing to Paul about Paris in a home recording. Longer version

1970s: John writes "Skywriting by Word of Mouth", a book that would be released in 1986. One story is about sex he had with a woman in Paris. Here it is. As anon noticed here: "...the woman is called Amie L'Nitrate and Amyl Nitrate is a reference to poppers. He talks about grabbing her 'pomme de frites.' Her potatoes? He uses the term 'tread lightly on some loafers' which is an old euphenism for being gay. Amie says they should have sex to God Only Knows. Then John says their relationship ended in a seething rage but he still thinks of 'her.'" @sgtsaltsband concluded in the same post: "so he writes a story about PARIS ( where he and paul went on a trip for his 21st bday and never stopped talking about it ) , in the HOTEL where the Beatles stayed later on [Hotel V in 1964] , names the girl after POPPERS ( a drug commonly used by gay men during sex ) , the girl wants to have sex to PAULS fave song and he uses this PHRASE." Also: this is an excerpt of the story:

"Boogie" is a slang word for sex or dance (also, "Born to Boogie" is a 1972 movie starring Marc Bolan, Elton John and Ringo Starr). "Band on the Run" is a Paul McCartney and Wings' album which John loved. "Sue you sue me" can be a reference to to the Beatles' legal and business disputes and the fact that Paul sued John, George and Ringo in December 1970, and to "Sue Me, Sue You Blues", a song by George.

(thank you @menlove for uploading the story and pointing out interesting words!)

1994 - Paul inducting John to Rock and Roll Hall of Fame:

“And then on your 21st birthday you got £100 off one of your rich relatives up in Edinburgh, so we decided we’d go to Spain. So we hitch-hiked out of Liverpool. And we got as far as Paris, and decided to stop there for a week. And eventually got our haircut, by a fellow named Jürgen, and that ended up being the ‘Beatle haircut’.”

I also remember watching an interview with Paul about his album "Memory Almost Full" (2007). Thank you for adding, @ringompreg!

(it's like 7 minutes in) Interviewer: There is a very beautiful song called "The End Of The End", the way you talk about your whole ending, and the lyric goes: "It's a start of a journey to a much better place." You mean, better than England? Paul: It's basically a start of a journey to France. Or Spain through France. Yeah, that's what it is. It's a much better place, Paris.

Also worth mentoning:

"All You Need Is Love" begins with La Marseillaise.

"Picasso's Last Words (Drink To Me)" contains French-language speech by BBC broadcaster Pierre Le Sève.

Bonus

[blindmagdalena]

The Athenaeum Portrait

18+ 4.7k homelander x f!reader. established relationship, first time having sex, reader has a complicated relationship with sex, abuse of superpowers for cunnilingus, overstimulation, penetrative sex, lite sublander, praise kink, slight coercion, unhealthy dynamics, implied codependency, implied verbal abuse.

Your relationship with Homelander is a delicious, precarious thing. Like a perfectly ripe peach, its closeness to something bruised and rotten makes it all the sweeter.

AO3 link. inspired by this anonymous prompt. thank you! 🖤

Homelander did not enter your life so much as he bull-rushed into it, a living whirlwind that uprooted you and hurled you into a familiar yet strange new world as unceremoniously as the tornado that took Dorothy to Oz. 

Vought Tower sparkles just as vibrant as the Emerald City, and provides no less surreal of a backdrop to your new life. Homelander's penthouse is a bizarre caricature of personhood, loaded with hundreds of years of American history. It would ring false, just another aspect of his brand, if not for the fact he can—and often does—regale you with a laundry list of historical facts on any piece in the collection.

This is how you find out that Gilbert Stuart is one of his favorite painters. When you ask Homelander why that is, he shrugs. "He painted over a thousand portraits, and he's most famous for the one he didn't finish. Ironic, huh?"

The Athenaeum Portrait, it's called. An unfinished portrait of George Washington that was replicated and sold by Stuart over a hundred times before his death.

The original was never completed.

The more time you spend in proximity to him, the more you start to understand why the piece resonates with him. You see replicas of him sold throughout the world on a daily basis, his face synonymous with Vought’s branding. There is a completeness to the commercial image of Homelander, America’s wholesome hero, but behind closed doors, you see his frayed and unfinished edges.

You feel his desperation for someone who will complete him in the way he touches you. He takes hold of your hands and brings them to the places where he is sketched at best, a ready and yielding canvas for your fingers. He likes when you stroke his hair, and sometimes touching his face turns his eyes glassy. There is a woundedness to the way he seeks your love, like he’s never entirely sure whether to expect the carrot or the stick.

You’ve never raised the stick to him, but it’s clear that those who came before you certainly did. It’s difficult to imagine that a man as powerful as him has been hurt like this, but he is a painfully obvious man at times, wearing his emotions like the scars his impervious body will never show.

When you lie down to read on the couch, he’s drawn to you like a magnet. He has no problem making space for himself within your bubble, sprawling on top of you, snaking his arms around your middle, his head settled on your sternum. You smile to yourself and rest your book on the top of his head as you read.

He gives a small grunt of complaint, but you’re fairly certain he’s smiling, too.

For every night of domestic bliss, so too are there sudden perils. Unexplained nights of absence, wild mood swings, fits of paranoia. He fights as many battles in his own mind as he does on the city streets and on foreign soil, a living weapon used to the fullest extent by Vought and the American government.

It feels like you lose him temporarily, like he becomes someone else. He paces around you like a caged tiger with his teeth bared, daring you to give him a reason to bite. You never do, and he never does, but sometimes you worry just how close of a call it was.

Occasionally he comes to you spattered in muck and bloody viscera. On these nights, he can’t seem to comprehend your presence, your gentleness, your love. It’s as if these concepts ring false in the wake of everything he has been made to endure. It’s suspicious to him that you would love something so repulsive, so opposite of everything Vought has polished his image into being.

He screams at you for this, takes you by the shoulders and demands you explain what he cannot understand, but you can’t. You can’t explain something that you don’t always understand.

Your relationship with Homelander is a delicious, precarious thing. Like a perfectly ripe peach, its closeness to something bruised and rotten makes it all the sweeter.

When things are good, they’re very good. He’s sweet, a romantic who learned everything he knows about romance from jewelry ads and Valentine’s Day specials. He brings you roses on random days of the week and adores showering you in gifts, especially the kind you wear. He tends to gravitate towards soft, velvety fabrics for your clothes because he likes the feel of them. He buys you perfumes that smell like vanilla and pink pepper. He likes fresh, warm scents. Nothing too floral or artificial.

Most importantly, he likes you. There’s rarely a day that the two of you don’t make each other laugh. His sense of humor is strange, but in the same way that yours is. Sometimes it feels like you’re two aliens creating a brand new language that only the two of you will ever know. The more time you spend together, the less the people outside of your relationship seem to understand you.

Not that it matters much. You spend the majority of your time with him these days, consumed by the excitement of this thrilling new thing the two of you share. Homelander is profoundly tactile, always needing to feel or touch you in some way. He loves to kiss you, content to make out languidly with you until your lips start to chap.

You’ve learned to keep lip balm on hand at all times.

Inevitably though, his hunger for intimacy outgrows quaint touches and kisses. You’re cuddled up together on his couch, only half paying attention to the movie playing. Homelander is nuzzling at your neck, pressing warm, wet kisses to it while his gloved hand slips beneath your shirt, fondling your breast through your bra. There’s something endearingly innocent about it, like a fumbling teenager piloting the body of a man in his forties.

Sex is nice enough. You have nothing against the act, but you’ve never felt as though you get as much out of it as the partners you’ve had in the past. Homelander’s touch feels good to you because it’s his, and because you know he wants to make you feel good in his enjoyment of you. You reciprocate by pushing your fingers into his hair, nails scraping along his scalp, eliciting a sweet, rumbling moan from him against your neck.

“Want you,” he mumbles fervently against your skin, his need so palpable it gives you goosebumps. “Can I have you?”

You knew this was coming. It’s not that you don’t want to fuck him, it’s that he’s not the only one whose portrait feels incomplete. You’re a fully grown adult, and never in your life have you managed to pleasure yourself to completion. In your youth, you’d just faked it for partners once you’d had your fill. With Homelander, you’re not even sure that would work. You’re not sure you would want it to.

He’s got a thing about lies, even little white ones.

You swallow and softly say, “Yes.” Ultimately, you do want him to have you. You just hope that what he gets doesn’t disappoint him.

He smiles into the crook of your neck, withdrawing his hand from beneath your shirt. He kisses you as he gathers you effortlessly up into his arms, carrying you to his bedroom. His strength is another aspect of why sex has made you nervous: the internet is full of horror stories of accidental sexual mutilation occurring between humans and supes. 

However, Homelander seems hyper aware of your fragility versus his power. He’s never harmed you. It seems to come naturally to him after years and years of navigating a world not made to withstand him. In the same way you’re capable of handling an egg without shattering it, he has learned how to hold you.

He lays you down on the bed, and then begins the ritual of shedding his signature suit, starting with his belt. You recline, content to watch him, but your gaze seems to make him uncharacteristically self conscious. You’ve never seen him without his suit before, another little quirk that you’ve largely just accepted to this point.

“Aren’t you gonna…” He gestures vaguely to you, expecting you to undress as well.

“Just enjoying the show,” you say coyly, attempting to lighten up a bit of the tension in his expression.

It doesn’t work. The furrow of his brows deepens slightly. “Ah, well. Y’know, the suit, they uh, pad it up some, so don’t–it’s different,” he says, fumbling over his words.

Your expression softens. “I know. It’s okay. I’m excited to see you,” you say, sitting up. In solidarity, you pull your shirt off first, and then wiggle out of your pants, kicking them off the bed. Homelander smiles at this, and works his pants off the rest of the way, kicking off his boots as well, leaving behind just a pair of dark red briefs. You sit up on your knees to help him with the fastenings of his suit top, which he seems to be the most apprehensive about.

To distract him from it, you kiss him. He melts eagerly into the press of your lips, slipping his tongue between yours with that same hunger to taste, to feel, to have. He’s bolder now that you’re no longer playing the part of spectator, shrugging his top from his shoulders and letting it fall with a surprisingly heavy thud to the floor. His ungloved hands skim up your sides, warm and positively thrumming with excitement.

You explore him as well, mapping out the slopes of his body that have previously been hidden from you. He’s leaner, more manageable than the ridiculous bulk of the suit. Part of you had always assumed there was a level of exaggeration in the chiseled, over the top musculature of the suit, but his build is still more slender than you expected. Regardless, it does nothing to detract from his raw strength as he catches you by the backs of your thighs and flips you onto your back, startling out a giddy bark of laughter from you.

He grins down at you, descending to catch you in another slow, consuming kiss, making space for himself between your legs. His lips trail from yours to the corner of your mouth, your jaw, your neck. He turns his head to messily suck two fingers into his mouth, and then slips his hand down the front of your underwear. He finds your clit with surprising precision–someone definitely taught him that–and begins to rub slow figure-eights over it, as gentle as he is deft. It does feel good, so you close your eyes and try to simply enjoy it for what it is, for the touch and warmth and intimacy of it all.

It doesn’t matter if you don’t come. This is still nice. You can feel his desire for you in the heat of his body, in the hot huffs of his breath wafting across your skin between kisses. He eventually slips a single finger inside you, patiently working you open. You drag your nails up his back and into his hair, breathing deeply, willing your mind to pause and let you experience this pleasantry in the same way you would a hot bath or a nice massage.

However, no matter how you try, the looming matter of expectation weighs heavily on your mind. You’ve never been comfortable with the attention being solely on your pleasure: it feels like dangling a treat in front of someone on a treadmill. They’re running for something they’ll never reach.

“Hey,” Homelander calls quietly, yanking you from your mental downward spiral. You see him above you, no longer tucked against you, working your skin with his lips and teeth. His brows are slightly furrowed. “You’re quiet. Am I doing something wrong?”

“No,” you exhale, the question immediately putting a wash of guilt through you. “No, not at all, feels good. I’m just really in my head right now,” you admit, cupping either side of his face. “You’re doing great, I’m ready. I want you inside me,” you tell him in a breathless flurry, pulling him down into a kiss. 

He does relax at that, sinking in against you for a moment before lifting himself back up. He shucks his underwear down and then pulls yours off as well, lifting both of your legs over his shoulder as he slips the panties completely off of you. While he does that, you unclasp and toss your bra aside. He turns his head to kiss the side of your leg before he lowers them both back down around his waist, lowering himself back down atop you.

The thick head of his cock presses wetly to your cunt, sliding up and down, spreading his slick and yours. You can already feel his excitement in the tension of his body, his shoulders drawn tight beneath your hands. You knead them, rolling your palms against steel-woven muscle. “That’s it,” you encourage, working to relax the both of you. “Nice and slow, mmm… Fuck, you’re big,” you say, biting your lip as he spreads you around the girth of his cock.

“You’re tight,” he moans in response, already sounding frayed. He moves his hips in slow, slightly jerky motions–clearly holding back for your comfort–until he finally bottoms out, keening so sweetly in your ear you can’t help but stroke his hair, hushing him.

“Good, good, feel so good in me,” you coo, the words a familiar script. He shudders for the praise, kissing down your chest, mouthing hungrily at your breast, the same he’d been fondling earlier. His mouth is hot and wet, perfectly pleasant as he sucks at your nipple, moaning into your skin. You cradle his head in both hands, adjusting to the onslaught of sensation. 

It’s been awhile since anyone fucked you. The feel of it is just as alien as you remember, but you’re distracted by the persistent swirl of his tongue alternating with the pull of his lips as he lavishes attention on one breast, and then the other. With his bare skin against yours, you’re more aware than ever of the superhuman frequency of his body, how he seems to literally vibrate with restraint and eagerness in equal measure. It’s like there is a line of semi trucks driving by you, the bed itself buzzing with it.

“You’re amazing,” you marvel quietly, tightening your legs on either side of him to feel that preternatural hum against even more of your skin, tingling your inner thighs. “You feel amazing.”

He grunts out a needy, strained noise at that, followed by a jagged thrust deep into you. To your surprise, you realize then that he’s coming apart, dull nails biting crescent marks into your skin, clutching you as tightly as he dare allow himself. You thought that maybe his powers would give him superhuman stamina as well, that he might fuck you raw before he came, but if the shaky cadence of his thrusts are any indication, he’s already holding himself back.

“I can feel how bad you wanna come,” you murmur, carding your fingers through his hair. “Mm? You can, you can come in me,” you say, feeling his whole body shiver from your words. You clench, tightening up around his cock so suddenly that it makes him gasp.

“Fffuck, fuck, oh god, y’can’t–fucking Christ, you–mmm, fuck!” He rasps, choking on his own breath as he comes, burying his face between your breasts at the same time he slams in deep, fading into tight, erotic little whimpers as he loses himself to the rhythmic clench of your cunt. You do it purposefully, milking him of his orgasm, enamored with how thoroughly you’ve reduced a demigod to these simpering noises. The flood of come is hot inside you, already dripping out where your bodies are connected.

All that, and he still never lost control. You doubt his fingerprints will even bruise, though you find a part of yourself wishing they would. 

Homelander comes down gradually from his high, limp against you, breathing shallowly against your skin. He looks dazed, eyes only half open. It’s cute, which isn’t a word you necessarily would have ever thought to associate with The Homelander before you started dating him. When he looks up at you, you smile, already more satisfied than you’ve been with sex in your life.

“That was playing dirty,” he tells you, voice a touch fried.

“I just wanted to make you feel good,” you respond simply, watching as he nuzzles into your hand.

He rumbles out a low hum, kissing your palm. “Which means it’s my turn to make you feel good,” he says, moving to slide out of your hands. You stop him, taking hold of his arm.

“You don’t need to,” you assure him, tugging gently to lure him back up. “Really. That felt incredible.”

He frowns, looking every bit like a confused puppy. “But you didn’t come.”

“I know,” you say, that ball of tightness coiling back up in your gut. “It’s okay.”

He exhales an incredulous little scoff. “What kind of boyfriend d’you take me for? I’m gonna make you come,” he says, shrugging off your hand as he moves down your body, sliding out of you.

“Homelander,” you implore, reaching out for him. “Really, it’s okay, you don’t need to–”

“What, you don’t think I can?” He asks. You can see the challenge in his eyes, but you also recognize the potential of a stinging wound to his ego in those words.

You sigh, folding your arm over your eyes as you lay your head back. “It’s not that I don’t think you specifically can, I’m… Eugh.” You take a deep breath. “It’s not something that I do. I can’t. I’ve never been able to,” you say to the darkness of your arm, fingers rolling apprehensively. “And I don’t want you to take this as some kind of challenge, and then be upset when it doesn’t happen,” you say, speaking from very specific experience.

The space between you is silent for long enough that your curiosity beats out your apprehension, and you lower your arm. Homelander stares at you from between your legs, expression pinched, eyes flickering slightly, as if he’s solving the world’s most complicated puzzle in his brain. His eyes narrow softly, his bewilderment showing.

“Like… You haven’t come… Ever?”

“Ever,” you confirm. “It’s not that I haven’t tried, there’s just something broken.”

He processes that a moment longer. “But all of this still felt good, at least… Yeah?”

“Yeah, yeah, of course it did, I liked it. You really do feel amazing,” you assure him, lest he think you were lying with what you said earlier. “It just never finishes for me. That’s all.”

“Alright,” he says, the gears in his brain clearly turning. “So. Sure, no crossing the finish line, but I can still, y’know. Take you for a cruise? A little joyride?” He asks, making you laugh softly.

He really is cute. Sweeter than one might expect, too.

“A joyride?” You echo with a quirk of your brow, smiling.

He smiles, too. “Yeah. No destination, just a little drive.”

“I can do a little drive,” you say, feeling that knot of tension in your gut begin to untangle itself.

“Good,” he purrs, shouldering down between your legs. “Gimme that pillow,” he says, which you promptly do. He slides it under your ass, adjusting your hips until the angle is just right. He smooths his hands up and down the outsides of your thighs, glancing up at you. “Now, you just sit back and relax. Close your eyes, and imagine some smooth jazz.”

“I hate jazz,” you laugh.

He laughs as well, breath rolling over your wet pussy in hot waves. “Well, fuck, imagine something you do like.”

Relaxing back against the bed, you exhale a deep breath, closing your eyes. The first wet, hot slide of his tongue makes you jump a little. He responds by gripping your thighs and pinning you still, which does admittedly run a little thrill up your spine. You test his grip by pushing against it, and when that fails, pulling away, but neither grant you any leeway.

“Squirming already?” He asks between drags of his tongue.

“I like feeling your strength,” you say through a pleased little smile.

He gives an intrigued hum at that and spreads your legs wider, forcing them down against the bed. To even your surprise, that pushes a small, thin noise out of you. Encouraged, he presses his tongue inside, lapping up the mess he made inside you. It feels fine enough, but after a bit of his tongue pushing in and out of you, you give his hair a little tug. “Clit,” you say simply, a command he happily obliges, drawing back up to suck your clit between his lips.

Without the looming pressure to achieve some kind of euphoric release at the end, you find yourself more capable of simply enjoying this for what it is. Homelander is good at this, but it’s really his persistence that elevates the experience. At no point do you feel him begin to waver or slow, or shift and breathe in impatience. He’s relentlessly consistent, swirling his tongue and lapping at you like he’s starved for the taste.

You sigh, idly scratching his scalp as you toy with his hair. “Mmm, that feels good,” you say, more aware of the effect your praises have on him. He makes an appreciative noise, nuzzling into your cunt. One odd thing is that your clit is starting to ache in a way you’re unfamiliar with. You shift back a touch, but Homelander pulls you right back in.

“Greedy,” you accuse, which draws a low laugh from him, the rumble of it making you shiver a little. You must be growing oversensitized. You’ve lost track of how long he’s been at this.

He pulls back, and the cool air almost stings for the loss of his hot mouth, but that ache was beginning to grow uncomfortable anyways. You’re just about to thank him for his service when a whole new sensation steals the words right off your tongue. You don’t even know how to describe it: hot, pressure, but weightless. Your whole body jerks, but Homelander keeps you still, forces you to endure whatever the fuck it is he’s doing now.

“Wh-what the fuck is that?” Watching him, comprehension dawns; he’s blowing on your clit, lips pursed, forcing out a concentrated stream of warm, almost hot air that has your thighs quivering in his grasp. “Oh fuck,” you gasp, equal parts bewildered and overwhelmed. You try to close your knees, but once again, his hold is completely unrelenting, keeping them spread wide. Immediately that same ache is skyrocketing back up, spreading tightness low in your belly.

“Hold on,” you groan, gripping his hair tighter. You expect it to end before too long, for him to at least need to inhale, but beyond all logic and reason, he just keeps going. The heat of it is surreal, the weightless pressure of it constant. Your toes curl, heels digging into the bed while every muscle in your body starts to lock up.

Homelander’s gaze flickers up to meet yours, nothing pure wicked delight in his eyes. Just as suddenly, he descends upon you, tongue feeling hotter and wetter than ever as he dotes on your clit with it, focusing it with alarming precision. The abrupt change in sensation makes you thrash, stumbling over a stream of nonsense as you pull at his hair, that aching tightness now so prominent that you can hardly take in a breath.

“That’s enough, that’s–fuck, Homelander, it’s too much, it’s too much, s-stop, s–” your pleas erupt into a gasp because he’s focusing that stream of air right back on you again, the feel of it so surreal, so indescribable that your brain can hardly function around it. Your eyes roll back, you writhe, but he’s so much stronger than you’d ever really wrapped your mind around. He’s entirely unyielding in a way he’s never felt in your arms, against your body on the couch. He’s more inhuman than he’s ever been, and it’s driving you wild. 

Tears gather in your eyes. This  assault of sensation walks the knife’s edge of pain, but never quite falls over it. Your whole body is throbbing, and you feel like you’re going to fucking explode. He twists that knife by taking you again with his tongue, swirling and slick in contrast to the dry pressure of his breath.

“H-Homelander, Homelander, please, I’m–I’m–fuck!”

The world turns white, and suddenly you can’t breathe. You hear yourself make a strained noise you’ve never heard before, but it might as well not even be you. You’re somewhere outside of your own body, floating in a torrent of indescribable sensory input that is so alien to you, you don’t even feel real anymore. Homelander isn’t holding you still anymore, but you can still feel him slowly lapping at your throbbing clit, watching you through foggy eyes as he licks you through your first orgasm, no doubt tasting and smelling the endorphins that flood your body.

Every single taut muscle in your body snaps like the strings of a marionette, leaving you to collapse limply on the bed, panting through it as your soul gradually descends back down into your body. Blissfully, Homelander ceases his torment and joins you, laying sideways with his head propped up in his palm while his other hand rests on your hip, thumb rubbing soothing circles. 

“Oh my God,” you whisper eventually.

“Please, you can still call me Homelander,” he says, sounding just as smug as one would expect him to be after such an accomplishment. If you had any power whatsoever left in your lifeless arm, you’d smack him. However, he quickly makes up for it by drawing you gently into his arms, kissing your forehead. 

“I can’t believe you did that,” you say, more malleable than ever as he adjusts you both beneath the blankets. “I thought I was going to die.” It’s only a slight hyperbole.

Homelander laughs softly, beaming at you with pink cheeks and a sly, delighted little smile. “See? Nothing’s broken,” he murmurs at your ear, catching you off guard. That had been such an offhand remark, you didn’t expect to hear it come back around.

“What if I hadn’t? What if all that, and nothing happened?” You ask, adjusting slightly while he entangles his limbs with yours, bodies slotting together like jigsaw pieces. You’re both jagged in all the right ways, fitting nicely together.

He gives a small shrug, stroking his knuckles up and down your spine. “Still would’a been a hell of a ride. Not everything has to be finished to be good.”

Slowly, you smile. “Yeah. I guess you’re right.”

Loving Homelander isn’t always easy or good. There are times when he makes it hard, and there are times when you make it hard, but if there’s one thing you’ve learned in this lifetime, nothing worth doing is ever easy. Love may start as an incidental thing, a passion that ignites as readily as tinder, but the upkeep of it is more like pottery. It’s messy, and even once you get the shape of it right, you don’t always know how it will react to the heat necessary to give it solid form. It can be broken, it can be fixed, it can even be remade, but never is one the same as the last.

Still, even when it hurts, when it’s frustrating, when it doesn’t turn out the way you wanted it to, the euphoria of creating something so beautiful keeps you coming back to it. When the same love that burns you can also warm you against the cold, coat your throat like honey, and fill your night sky with stars to guide your way in darkness, it becomes impossible to let go of.

To love something is to heal it. Everything that is loved is beautiful, even things that are unsightly, unfinished, unappealing. Even things that are broken.

Finally, you think you understand why Stuart never finished his original painting.

He loved it precisely as it was.

[musicrunsthroughmysoul]

One of my favorite things about people that I've observed but never realized there was an emotional symbolism to (surprisingly...I mean, you would think I would've realized that) is noticing when people scratch at/fidget with their head with their middle finger specifically. I've noticed it especially in filmed interviews with people, that everyone seems to do it at least once, and it's so funny to me because the underlying emotion that causes them to do that (that they are usually not aware of, by the way) is disdain for or anger toward someone.

And if it sounds weird to say that it's one of my favorite things about people, I don't mean that it's my favorite thing to literally recognize when people are angry, or whatever; it's my favorite thing to notice because people who do it are often not aware that they're doing it. It's my favorite thing because people are people and they'll reveal small things like that about themselves without noticing that they do. In case that still sounds weird, I mean that what I appreciate about it is the connection - the interconnectedness of humanity. That we all do little things like that (even when we're angry at each other). But it also makes me wonder...what would happen if we verbally communicated those feelings more rather than leaving our bodies to subconsciously (but mostly unconsciously) reveal them? Would we stop doing them entirely?

[kevindavidday]

i love that neil considers jean as part of the family he wants to protect. i will elaborate this time because

if you think about it, neil spent book 1 trying his best not to build a connection, book 2 trying to break down the walls ending with confirming from nicky if they were friends, and every second after that deliberately doing whatever was in his goddamn power to keep these people safe and happy. going to edens for andrew, keeping the truth from them, getting the letter back for kevin, reminding kevin that he owes jean a conversation after all that's happened, fixing the twins' relationship, spending time with them even though he knew he would leave. in his mind, what he was doing was selfish because he was going to die soon and they didn't even know it.

he doesn't die, though and he comes back with even MORE fight in him than before. he meets his uncle once and although his mother hadn't wanted him to be involved in one gang after another, he doesn't give a single flying fuck. the hatford's existence is just another resource for him, a way to hurt those who have hurt his family. stuart already killed his father, so what's it matter if there's a few more - protecting him means protecting his family. if the fbi had any clue about the power neil actually holds over the hatford's they would all willingly eat their hats tbh.

so the first thing he does when he sees his uncle again? despite knowing that ichirou is close-by? he tells him to kill proust.

hell, even the moriyama's are nothing to this man if i'm being honest. he isn't afraid of them, he knew the rarity of ichirou's visits which made him wary when he got into the car to talk about bargaining their lives and i truly do believe ichirou moriyama was fucking relieved neil didn't ask for more than that. there is that strange, dead look in his eyes that he's inherited from his father which unnerves the fuck out of everyone who doesn't know him. and when he bargained for his life and kevin's, he remembered jean too.

which is fucking insane. he spent only winter break with jean moreau, ONLY. i know there's extra days at the nest, but i'd kill to know what happened between jean and neil during that time for neil to have such unflinching loyalty towards his 'forever partner'. i want to know their conversations, i want to know what they suffered through together.

and the casual way in which jean dropped the news about grayson to neil, after hiding it away from everyone for so long. he admitted the truth to neil straight up, like of course neil should know, it's neil. jean's mind is still haywired to remember him too even though they were only together for a few weeks!!!

what is it about them?

and then the entire time otw to the diner, neil's plotting again. he's scheming. he's thinking. and he knows what to do. and its asking for local work because fuck anyone who has ever hurt his family. he literally only ever needs a fucking name, bro. 'my first memories are of people dying.' i think we can tell...

wymack saw that leadership potential and made him vice captain. god bless neil only cares about playing exy because if he had even a second more interest in crime he would've floored everyone. i can see it so clearly.

anyway, hope he takes a hit out on tetsuji moriyama next 🙏